The Jean-Nicod lectures 2002

The Jean-Nicod lectures 2002

Gareth Evans, one of the most brilliant philosophers of his generation, died in 1980 at the age of thirty-four. He had been working for many years on a book about reference, but did not complete it before his death. The work was edited for publication by John McDowell, who contributes a Preface.

Gareth Evans, one of the most brilliant philosophers of his generation, died in 1980 at the age of thirty-four. He had been working for many years on a book about reference, but did not complete it before his death. The work was edited for publication by John McDowell, who contributes a Preface.

Recent work on consciousness has featured a number of debates on the existence and character of controversial types of phenomenal experience. Perhaps the best-known is the debate over the existence of a sui generis, irreducible cognitive phenomenology, a phenomenology proper to thought. Another concerns the existence of a sui generis phenomenology of agency. Such debates bring ...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

First published in 1902, The Varieties of Religious Experience initiated the psychological study of religion, paving the way for Freud and Jung as well as for clinical and paranormal branches of psychology. Written with humour and erudition, its theories of conversion, saintliness, ecstasy and mysticism continue to provoke controversy and enquiry. The book remains the best intr...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

First published in 1902, The Varieties of Religious Experience initiated the psychological study of religion, paving the way for Freud and Jung as well as for clinical and paranormal branches of psychology. Written with humour and erudition, its theories of conversion, saintliness, ecstasy and mysticism continue to provoke controversy and enquiry. The book remains the best intr...(展开全部)

In three lucid and entertaining essays, Charles Rosen explores the true meaning of music and how this meaning changes from performer to performer, as well as audience to audience.